Showing posts with label paintings. Show all posts
Showing posts with label paintings. Show all posts
Friday, 6 December 2013
Watercolours of Fulham Palace - Ken Ashby
An exhibition of watercolours of Fulham Palace can be viewed until 22nd December 2013 in the Gallery at Fulham Palace. The artist, commission4mission member Ken Ashby, is a volunteer at Fulham Palace and sales of the paintings and prints will raise funds for the Fulham Palace Charitable Trust.
Those attending Ken's exhibition will also enjoy the Tudor building and paintings at this Palace which was the Bishop of London's summer residence on the River Thames at Putney Bridge from 700AD.
Thursday, 31 October 2013
Members update: Ross Ashmore
Ross Ashmore appeared on the Robert Elms show yesterday (BBC London) to talk about his paintings of London Underground Stations and the London Transport Museum Acton Depot Weekend on the 1st, 2nd & 3rd Nov where he will be 'live' painting.
Tuesday, 1 October 2013
Deconstructing c o n f l i c t
'Burning Heads' by Maciej Hoffman
'The World In Despair' by Pouka
'Conflict Kid - Fun Future's Resort' by Hayley Bowen
'Agony' by Henry Shelton
'Drawer from The Cabinet of Sin & Salvation' by Jonathan Evens
Deconstructing c o n f l i c t is an art exhibition that will be held in Chelmsford Cathedral on 21st - 23rd October 2013 (7.45am – 9.00pm, ends 3.00pm Wednesday) and will feature expansive expressionist paintings by Maciej Hoffman supplemented by related work from commission4mission artists. Among commission4mission artists contributing work will be Hayley Bowen, Harvey Bradley, Jonathan Evens, Pouka, Henry Shelton, Joy Rousell Stone and Peter Webb.
Maciej Hoffman is a Polish artist whose work is concerned with the trauma of all individuals and peoples who have suffered - and continue to suffer - worldwide. Hoffman “views his art as both a means of self-expression and a way of engaging in public discourse, depicting contrasts, emotions and powerful human experiences.” He has said that the subjects which interest him are those "issues that
puzzle us throughout the years, forming our way of looking at the world,
changing us."
Hoffman's work has been the focus previously of conferences and events on themes of conflict and resolution in the UK and Poland, including exhibitions such as: Art of Reconciliation 2012 - Edith Stein Centre, Wroclaw Poland; Blue Line Holocaust Memorial Exhibition 2012 - Town Hall, Barry; Journey Line 2011 - Town Hall Wroclaw; and Journey Line 2010 - Oxford Chabad Society.
Friday, 30 August 2013
Members update
The Menier Gallery will be hosting the 80th annual exhibition of The National Society of Painters, Sculptors and Printmakers from Tuesday 10 - Saturday 21 September.
This is an opportunity for the public to see a broad range of work encompassing a dynamic mixture of contemporary paintings, sculpture and printmaking by well established artists from around the UK. Not only will there be hung work to view but also works on paper in browsers and artist cards. Don’t miss this opportunity to support one of London’s premier contemporary art exhibitions and the chance to purchase innovative art at realistic prices.
An increasing number of commission4mission members are also becoming part of the National Society, so look out for some familiar faces if you are able to see the show.
Oxford Journals have recently published the latest book review by Jonathan Evens in The Journal of Theological Studies: The Sacred Community: Art, Sacrament, and the People of God. By DAVID JASPER. Jonathan Evens The Journal of Theological Studies 2013; doi: 10.1093/jts/flt127.
This is an opportunity for the public to see a broad range of work encompassing a dynamic mixture of contemporary paintings, sculpture and printmaking by well established artists from around the UK. Not only will there be hung work to view but also works on paper in browsers and artist cards. Don’t miss this opportunity to support one of London’s premier contemporary art exhibitions and the chance to purchase innovative art at realistic prices.
An increasing number of commission4mission members are also becoming part of the National Society, so look out for some familiar faces if you are able to see the show.
Oxford Journals have recently published the latest book review by Jonathan Evens in The Journal of Theological Studies: The Sacred Community: Art, Sacrament, and the People of God. By DAVID JASPER. Jonathan Evens The Journal of Theological Studies 2013; doi: 10.1093/jts/flt127.
Tuesday, 27 August 2013
commission4mission's Greenbelt market stall
Many thanks to everyone who contributed at short notice to our market stall at this year's Greenbelt Festival, in particular Barbara and Harvey Bradley and Jonathan Evens who staffed the stall for us. As well as sales of work and general publicity, the stall also generated new contacts and useful conversations about aspects of our work.
We showed a selection of original work from Hayley Bowen, Harvey Bradley, Ally Clarke, Elizabeth Duncan Meyer, Jonathan Evens, Mark Lewis, Caroline Richardson, Joy Rousell Stone, Henry Shelton and Peter Webb. This included cards, jewellery, meditations, notebooks, prints and t-shirts produced by our artists for sale, as well as information about our work on commissions, exhibitions, events and publications.
Monday, 19 August 2013
commission4mission's Greenbelt market stall
commission4mission's market stall at this year's Greenbelt Festival has been organised for us by Harvey Bradley, who will be showing ceramics and paintings at the stall.
Harvey's work will be supplemented by a selection of original work from Hayley Bowen, Ally Clarke, Elizabeth Duncan Meyer, Jonathan Evens, Mark Lewis, Caroline Richardson, Joy Rousell Stone, Henry Shelton and Peter Webb.
Additionally, we will have cards, jewellery, meditations, notebooks and t-shirts produced by our artists for sale, as well as information about our work on commissions, events, exhibitions and publications.
Please do come to see us if you will be at Greenbelt this year.
Harvey's work will be supplemented by a selection of original work from Hayley Bowen, Ally Clarke, Elizabeth Duncan Meyer, Jonathan Evens, Mark Lewis, Caroline Richardson, Joy Rousell Stone, Henry Shelton and Peter Webb.
Additionally, we will have cards, jewellery, meditations, notebooks and t-shirts produced by our artists for sale, as well as information about our work on commissions, events, exhibitions and publications.
Please do come to see us if you will be at Greenbelt this year.
Labels:
bowen,
bradley,
cards,
ceramics,
clarke,
duncan meyer,
evens,
greenbelt,
information,
jewellery,
lewis,
market stall,
meditations,
notebooks,
paintings,
richardson,
shelton,
stone,
t-shirts,
webb
Tuesday, 18 December 2012
Mari Hayman
Pitton Methodist Chapel, near Rhossili
Skaters
Mari Hayman is an experienced, well motivated artist and teacher with a studio in Swansea. She makes versatile use of a variety of media and processes producing individual and collaborative work on both a small and large scale. She draws from life and paints in all media with her subjects including landscapes, seascapes, people etc. In addition, she makes panels for churches and homes, stained glass windows, mosaics and also undertakes community work. She enjoys co-operating with people of all ages, abilities and backgrounds and has successfully completed community and educational projects in the U.K. and abroad.
Tuesday, 4 December 2012
Caroline Nina Phillips
Liminality
Deeper
The urban landscape has been a source of fascination, inspiration and a recurring theme throughout the work of Caroline Nina Phillips. Observational drawings and camera snapshots of the local urban environment are used as starting points for these layered, painterly works. Particularly favoured focal points are construction sites; building works; passageways and stairways. Noticeably, the chosen places are those which could be easily overlooked. It is through experiencing; looking; recording and reflecting upon such particular spaces, that Caroline Nina captures their existence and essence.
Many of the paintings are suggestive; openings entice as barriers block. Stairwells guide the viewer’s gaze from one implied space to another – beyond the physical boundary of the painting. Attracted to specific spaces that offer this potential for imagining; Caroline Nina Phillips contemplates what can be seen and the possibilities of what remains unseen. Features fascinate and draw her in with their depth and intensity. Captivated by the real, raw, gritty surfaces and atmosphere of many of the places she chooses to paint, Caroline Nina aims to evoke such qualities through her diverse colour choices and expressive, textural handling of the paint.
Oils are scraped, layered, removed; smeared, worked and reworked again and again- indicative in many ways of the process of building; of time passing; of ageing; deterioration; breaking down and of revival; reconstruction; of turning something old; damaged or worn, into something new.
Monday, 3 December 2012
Private View: 'Incarnation'
commission4mission's South London launch took place tonight at a well attended Private View for our Christmas exhibition entitled 'Incarnation'. We were encouraged by the interest shown by all who came both in the conversations that took place and in the works that were sold.
The exhibition, which had curated by Wendy McTernan, can be seen at Wimbledon Library Gallery (1st floor, Wimbledon Library, Wimbledon Hill Road, London SW19 7NB) and includes the work of 16 artists in media including ceramics, fused glass, paintings and photography. The exhibition continues until Saturday 8th December, 9.30am - 7.00pm (2.00pm on Saturday) with access through the Library. A second Private View will be held tomorrow from 6.30 - 9.30pm. All are welcome.
Those exhibiting are Harvey Bradley, Colin Burns, Christopher Clack, Ally Clarke, Valerie Dean, Elizabeth Duncan-Meyer, Jonathan Evens, Ken James, Sarah Ollerenshaw, Caroline Richardson, Janet Roberts, Francesca Ross, Henry Shelton, Sergiy Shkanov, Joy Rousell Stone and Peter Webb.
In launching commission4mission in South London, Jonathan Evens, c4m's secretary, said the following:
commission4mission was launched in March 2009 by our Patron, the Bishop of Barking, to encourage the commissioning and placing of contemporary Christian Art in churches, as a means of fundraising for charities and as a mission opportunity for churches.
We aim to:
· provide opportunities for churches to obtain and commission contemporary Christian Art for church buildings;
· provide information, ideas and examples of contemporary Christian Art and its use/display within church settings; and
· raise funds for charities through commissions and sales of contemporary Christian Art.
In the short time that commission4mission has been in existence we have:
· built up a pool of over 30 artists available for Church commissions;
· developed a blog profiling our artists and giving up-to-date news of our activities;
· completed of 10 commissions;
· organised 13 exhibitions, two Study Days, three art workshops, several performance and networking events for members;
· created an Art Trail for the Barking Episcopal Area;
· worked in partnership with two other arts organisations (Christian Artist’s Networking Association & Veritasse) to create an Olympic-themed art project – Run With The Fire; and
· published several sets of images and meditations primarily with a Lenten or Passiontide focus.
We seek to be a proactive organisation for both the artists and the churches with which we work. For our artists we regularly provide information updates and networking opportunities as well as actively promoting their work through our blog, events and exhibitions. This ensures that they feel connected to one another and the wider faith and arts scene as well as benefiting from the support and ideas of fellow members. For churches, we actively provide opportunities to think about the possibility of commissioning contemporary art by seeing and considering the work of our artists and by suggesting ways to overcome some of the barriers which sometimes seem to stand in the way of new commissions such as finances and the differing tastes of church members.
Why do we do what we do? Fundamentally, I would want to say that there is a Trinitarian underpinning to what we do. Firstly, that we are creative because we are made in the image of our Creator. That, as Dorothy L. Sayers reminded us in her book The Mind of the Maker, to be made in the image of God means that we are most like God when we are being creative. Secondly, that it is the Holy Spirit who gives skill to craftspeople and artists. The first Spirit-filled man in the Bible, Bezalel, was chosen by God to be skilled, knowledgeable and able to teach in all kinds of craftsmanship. So, to be biblically inspired is to make. Thirdly, that because God became truly human in Jesus we can represent his human nature as with any other member of the human race. So that, if we paint a picture of Jesus, we’re not trying to show a humanity apart from divine life but a humanity soaked through with divine life.Next, I would want to say that the Arts are in many ways foundational to all that occurs in Church. Very briefly, we can say that:
• the Architecture of our churches provides a designed context and stage for the worship that occurs within them;
• we re-enact Biblical narratives through the poetry of the liturgy;
• music in church provides composed expressions of emotions and stories in and through song; and
• images in churches re-tell Biblical narratives and open windows into the divine.
Finally, we would also say that the Arts contribute to the mission of the Church by:
• speaking eloquently of the faith;
• providing a reason to visit a church – something we have tapped with our Art Trail for the Barking Episcopal Area;
• making links between churches and local arts organisations/ initiatives; and
• providing a focus for people to come together for a shared activity.
These then are key reasons why, in commission4mission, we seek to encourage the commissioning and placing of contemporary Christian Art in churches.
I would like to end with a poem by the German kinetic sculptor Heinz Mack who has had much experience of trying to work in and with Catholic chapels in Germany :
“Church art is not always art.
Art that happens to be placed in church, is art in the church,
But not Church art.
Church art that is shown in museums, remains church art in museums.
Art for the Church is not always regarded as art by the Church.
The Church does not always want art.
Art is art without the Church.
Labels:
ceramics,
commissioning,
evens,
events,
exhibitions,
fused glass,
incarnation,
launch event,
mack,
mcternan,
paintings,
photographs,
private view,
sayers,
south london,
wimbledon library gallery
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